- Also see – Cecilia Araneda Biography
- Also see – Press & Accolades
EDUCATION
- MFA in Creative Writing, Screenplay writing thesis (Hart Hanson), UBC – 1993
- BFA (honours) in Theatre, Playwriting major, York University – 1991
- Selected to attend Phil Hoffman’s Film Farm – 2008, 2010, 2015
AWARDS FOR CAREER
- Joan Lowndes Award, Canada Council for the Arts (Canada), 2019 – for independent curatorial practice
- Manitoba Film Hothouse Award, Province of Manitoba (Winnipeg, Canada), 2017 – for independent filmmaking career
- Women in the Arts: Artists Working for Social Change (Media Arts Category), nominated by MAWA: Mentoring Artists for Women’s Art, Province of Manitoba, 2011 – recognition for cultural career
FILM / ARTS AWARDS
- Best Film (co-recipient), Swedenborg Film Festival (London, UK), 2022 – The Space Shuttle Challenger
- Special Jury Mention, International Documentary Competition, Shorts México (Mexico City, Mexico), 2021 – Unarchive
- Honourable Mention, Expanded Shorts Section, This Human World: International Human Rights Film Festival (Vienna, Austria), 2020 – Unarchive
- Winner, Best Experimental Short, Arizona Underground Film Festival (Tucson, USA), 2019 – The Space Shuttle Challenger
- Winner, International Documentary Competition, Shorts México (Mexico City, Mexico), 2019 – The Space Shuttle Challenger
- Winner, Expanded Shorts Section, This Human World: International Human Rights Film Festival (Vienna, Austria), 2018 – The Space Shuttle Challenger
- 3rd Place, biannual Premio Norberto Griffa a la Creación Audiovisual Latinoamericana (Buenos Aires, Argentina), 2018 – The Space Shuttle Challenger
- VTape Award for Best Video Art, Alucine Latin Media Arts Festival (Toronto), 2010 – What Comes Between
- Best Drama, San Francisco Women’s Film Festival, 2007 – Halley’s Comet
- Best Drama Short, Manitoba Blizzard Awards, 2003 – Unwoven
- Best Independent Documentary, Canadian International Annual Film Festival, 1999 – Chile: A History in Exile
WORK SURVEYS / RETROSPECTIVES
- Retrospectiva Cecilia Araneda, Proyecto Corporalidad Expandida (Buenos Aires, Argentina), Sept 2018
- Inner Worlds and Soft Landings: The Films of Cecilia Araneda, Winnipeg Cinematheque (Winnipeg, Canada), Feb 2018
- In Reflection: the Films of Cecilia Araneda, presented by LIFT: Liaison of Independent Filmmakers of Toronto at PIX Film Gallery (Toronto, Canada), July 2017
- Memory Work: the Films of Cecilia Araneda, curated by Scott Birdwise, Canadian Film Institute, Café Ex (Ottawa, Canada), April 2010
OTHER FILM SCREENING HIGHLIGHTS
Selected for over 100 festivals, including:
- Visions du Réel – What Comes Between
- Ann Arbor Film Festival – What Comes Between, Before, landing
- Athens International Film + Video Festival – Before, The Space Shuttle Challenger, Mer Bleue
- Chicago Underground Film Festival – The Space Shuttle Challenger
- Documenta Madrid – What Comes Between
- Experiments in Cinema – Imprint, Mer Bleue, landing
- Festival des Cinémas Différents et Expérimentaux de Paris – Imprint, The Space Shuttle Challenger
- Festival du Nouveau Cinéma – Imprint, Presque Vu
- Havana Film Festival – Chile: A History in Exile
- Huesca Film Festival – What Comes Between
- Images Festival – What Comes Between, The Space Shuttle Challenger
- Jihlava International Documentary Festival – What Comes Between, The Space Shuttle Challenger
- Kurzfilmfestival Hamburg – What Comes Between
- L’Alternativa Barcelona – What Comes Between, landing
- Leeds International Film Festival – Imprint
- Ourense International Film Festival – Amnesia
- RIDM: Montreal International Documentary Festival – Unarchive
- Uppsala Short Film Festival – Unarchive
Selected for over 30 curated group screenings at cinematheques, galleries and artist run centres, including at:
- TIFF Wavelengths (Canada)
- Maysles Documentary Center (USA)
- Film Anthology Archives (USA)
- MUSAC: Museo de Arte Contemporáneo de Castilla y Léon (Spain)
- Cinémathèque Québécoise (Canada)
- National Arts Centre (Canada)
RESIDENCIES
- International Artist Residency, Q21 (Vienna, Austria), 2019
- International Media Art Curatorial Residency, FICWALLMAPU International Indigenous Film Festival of the Mapuche Nation (Temuco, Chile), 2017
- Roberto Ariganello Residency Award, LIFT: Liaison of Independent Filmmakers of Toronto (Toronto, Canada), 2017
COLLECTIONS
- Museo de Arte Contemporáneo de Castilla y Léon (Léon, Spain), 2010 – What Comes Between
- Proyecto Adrienne – a gift from Governor General Adrienne Clarkson to the National Library of Chile in 2003, collecting works made by Chileans in Exile in Canada, Santiago (Chile) – Chile: A History in Exile
FILMOGRAPHY
- Threshold – Experimental Documentary Feature – work in progress
- Souvenir – Experimental, 5:07 mins, 16 mm / digital file, 2023
- Intersection – Feature Film, 99 mins, digital file / DCP, 2022
- landing – Experimental, 4:43 mins, 16 mm / digital file, 2021
- Unarchive – Experimental Documentary, 12:55 mins, digital file, 2020
- Mer Bleue – Experimental, 3:50 mins, 16 mm / digital file, 2019
- The Poster Guy – Documentary, 22:43 mins, digital file, 2017
- The Space Shuttle Challenger – Experimental Documentary, 9:32 mins, digital file, 2017
- Before – Experimental, 3:35 mins, 16 mm / digital file, 2016
- Cumbia 42 – Music Video, Norte Tropical (Jim Hiscott and Rodrigo Muñoz), 4:35 mins, 16 mm / digital file, 2014
- Presque Vu – Experimental, 4:13 mins, 16 mm / digital file, 2013
- Memory : Recollected – Film Performance, 10 mins, 16 mm, 2011
- What Comes Between – Experimental Documentary, 5:38 mins, 16 mm / digital file, 2009
- Imprint – Experimental Drama, 5:30 mins, 16 mm / digital file, 2007
- In Reflection – Experimental, 3:38 mins, S8 mm / digital file, 2007
- Halley’s Comet – Drama, 12 mins, 16 mm, 2005
- Amnesia – Drama, 14 mins, 35 mm, 2003
- Memory – Experimental Drama, 3:57 mins, 16 mm / digital file, 2002
- Unwoven – Drama, 14 mins, 16 mm, 2001
- Chile: A History in Exile – Documentary, 28 mins, digital file, 1998
CURATED GROUP SCREENINGS / EXHIBITIONS
2023
• Celluloid Body, curated by Diana Sánchez, presented by the Ann Arbor Film Festival (Ann Arbor, USA) – landing
2022
• The People’s Revolt: Rewriting the Future, curated by Anto Astudillo, presented by the Uppsala Short Film Festival (Uppsala, Sweden) – Unarchive
• The People’s Revolt: A New Constitution, curated by Anto Astudillo, presented by the Millennium Film Workshop (Brooklyn, USA) – Unarchive
• cygnus congress landing, curated by Deborah de Boer and Todd Eacrett, presented at Deluge Contemporary Art (Victoria, Canada) – landing
2021
• Cinémathèque Temporaire, curated by Collectif Jeune Cinéma, presented at Mains d’Œuvre (Paris, France) – The Space Shuttle Challenger
2020
• The People’s Revolt: A Showcase of New Chilean Experimental Cinema, curated by Anto Astudillo, presented by the Maysles Documentary Center (Harlem, USA) – What Comes Between
• The People’s Revolt: A Showcase of New Chilean Experimental Cinema, curated by Anto Astudillo, presented by the Amherst Cinema (Amherst, USA) – What Comes Between
• The People’s Revolt: A Showcase of New Chilean Experimental Cinema, curated by Anto Astudillo, presented by the Anthology Film Archives (NYC, USA) – What Comes Between
2019
• Unless You’re Living It: Dis/Integration, curated by the re:assemblage collective at KLEX: Kuala Lumpur Experimental Film, Video and Music Festival (Kuala Lumpur, Malaysia) – The Space Shuttle Challenger
• Unless You’re Living It: Dis/Integration, curated by the re:assemblage collective at Arkipel: Jakarta International Documentary + Experimental Film Festival (Jakarta, Indonesia) – The Space Shuttle Challenger
• We Are Going Home, part of the Film Farm: 25 Years of the Mount Forest Independent Imaging Retreat Programme, curated by Chris Kennedy for TIFF Wavelengths, presented at the TIFF Cinematheque (Toronto, Canada) – What Comes Between
• Film Farm: 25 Years of the Mount Forest Independent Imaging Retreat Exhibit, curated by Philip Hoffman at the TIFF Reference Library (Toronto, Canada) – Before
• Memoria, curated by Bienal de la Imagen en Movimiento, at the Centro Cultural Recoleta (Buenos Aires, Argentina) – The Space Shuttle Challenger
2018
• Lo Pictórico, curated by Bienal de la Imagen en Movimiento: VER, at the Instituto de Cultura de Baja California for VIDEOFEST2K18 (Mexicali, Baja California, Mexico) – Presque Vu
• 5° Jornada Audiovisual Feminista, curated by Mujeres Audiovisuales Casa Sofía (Buenos Aires, Argentina) – In Reflection
• Time and Place / L’Heure et L’Endroit, part of Found in Translation / Traduction Fidéle, Canada/Europe tour curated by Stephanie Berrington for the Winnipeg Film Group (Winnipeg, Canada) – What Comes Between
• Film Farm: A Pact with the Process, curated by Phil Hoffman, presented by VISIONS Montreal at La Lumière (Montreal, Canada) – Before
2017
• Mujer Artista: Speaking in Tongues, aceartinc (Winnipeg, Canada) – The Space Shuttle Challenger
• A Sense of Belonging, curated by Caroline Monnet, part of the #EyesOnVU series on VUCAVU.COM (Toronto, Canada) – Presque Vu
• BIM: Bienal de la Imagen en Movimiento – VER touring program at the Museo de Bellas Artes Rosa Galisteo (Santa Fe, Argentina) – Presque Vu
2014
• Festival Signes de Nuit International Tour to Mostra Joven ICAIC (Havana, Cuba), Sleepwalker Festival (Tallinn, Estonia), Rencontres du film court (Antananarivo, Madagascar), Mostra Internazionale del Nuovo Cinema (Pesaro, Italy) – Presque Vu
• On the Fort projection loop, curted by Heidi Phillips, Festival du Voyageur (Winnipeg, Canada) – Presque Vu
2012
• My Precious Novella, curated by Mireille Bourgeois, Galerie Sans Nom (Moncton, NB) – What Comes Between
2011
• Melodies en Mercredi, curated by Michael Petkau Falk, West End Cultural Centre (Winnipeg, MB) – Memory: Recollected, What Comes Between, Imprint, In Reflection, Halley’s Comet, Memory, Unwoven
• Winnipeg to Saskatoon, curated by Solomon Nagler, National Arts Centre: Prairie Scene (Ottawa, ON) – What Comes Between
• My Precious Novella, curated by Mireille Bourgeois, SAW Video (Ottawa, ON) – What Comes Between
• again + again, curated by Tom Kohut, PLATFORM centre for photographic + digital arts (Winnipeg, MB) – What Comes Between
• New Prairie Cinema: WNDX Collective, curated by Double Negative Collective, Cinémathèque québécoise (Montreal, QC) – What Comes Between
2010
• On IAIR microCinema: Reconstruction, curated by Mary Magsmen, Artpace / Aurora Picture Show (Austin, USA) – What Comes Between
• EYE AM: Another Experiment by Women, curated by Lili White, at the Film Anthology Archives (New York City, USA) – What Comes Between
• No Ficciones IV: Latinoamérica, curated by Cecilia Barriga, at MUSAC: Museo de Arte Contemporáneo de Castilla y León (Leon, Spain) – What Comes Between
• How to (not) Forget: New Filmmakers and the Narration of Pinochet’s Dictatorship, curated by FranceDoc, at the University of Warwick (Coventry, UK) – What Comes Between
• iFPOD 2010, curated by Pablo de Ocampo, Images Festival year-long online series (Toronto, Canada) – Memory
2009
• Winnipeg DIY, curated by Mike Maryniuk, Shutter2Think (Terrace, Canada) – Imprint
2008
• Prairie Dreaming, curated by Solomon Nagler, AFCOOP (Halifax, Canada) – Imprint
• Optical Allusions, Cineworks (Vancouver, Canada) – Imprint
• Centred Screenings, Island Media Arts Co-op (Charlottetown, Canada) – Imprint
2006
• Alone on the Landscapes of Forever: New Experiments in Prairie First Person Cinema, curated by Solomon Nagler, Winnipeg Cinematheque (Winnipeg, Canada), 2006 – Memory
2003
• Manitoba Mania, curated by Solomon Nagler, The Blinding Light (Vancouver, Canada) – Memory
• Fortress of Film, Ladyfest Halifax (Halifax, Canada) – Memory
• Shadowy Encounters: Rites of Passage in Film & Video, Winnipeg Cinematheque (Winnipeg, Canada) – Memory
2002
• Three Stories from Haunted Lands, curated by Dave Barber, Winnipeg Cinematheque (Winnipeg, Canada) – Chile: A History in Exile
2001
• Videoteca del Sur (New York City, USA) – Chile: A History in Exile
FILM FESTIVAL SCREENINGS
2023 | landing – Ann Arbor Film Festival
2022 | Intersection – Toronto Latin American Film Festival; LatinArte Montreal; Portland Film Festival; LATINUY Festival Internacional de Cine Latino; Winnipeg Cinematheque (theatrical run) | landing – Dawson City International Short Film Festival; Experiments in Cinema; Engauge Film Festival | Unarchive – Big Muddy Film Festival; Lebu International Film Festival; Seattle Latino Film Festival; Uppsala Short Film Festival; BOGOSHORTS | The Space Shuttle Challenger – FLIGHT / Mostra Internazionale del Cinema di Genova; Ribalta Experimental Film Festival; Swedenborg Film Festival | Before – 16 mm Film Festival
2021 | landing – Antimatter; L’Alternativa: Barcelona Independent Film Festival | Unarchive – Dawson City International Short Film Festival; CineFestival San Antonio; Cine del Mar; Vancouver Latin American Film Festival; Dobra International Experimental Film Festival; Shorts México; RPM: Revolutions Per Minute Festival; FIVA 10: Festival Internacional de Videoarte | Mer Bleue – Athens International Film & Video Festival | Presque Vu – Engauge Experimental Film Festival
2020 | Unarchive – RIDM; Antimatter; This Human World: International Human Rights Film Festival; Intermediaciones | The Space Shuttle Challenger – Revolutions Per Minute Festival | Mer Bleue – Brussels Film Festival; Experiments in Cinema 15.1; London Experimental Film Festival; Vancouver Latin American Film Festival; Dawson City International Short Film Festival
2019 | The Space Shuttle Challenger – ICDOCS; San Diego Underground Film Festival; Shorts México; Arizona Underground Film Festival | Mer Bleue – Bogotá Experimental Film Festival / CineAutopsia; BIDEODROMO International Experimental Film and Video Festival; Dobra Festival Int’l de Cinema Experimental; WNDX; Alucine Latin Film + Media Art Festival; CÓDEC Int’l Experimental Film & Video Festival | Before – Engauge Experimental Film Festival
2018 | The Space Shuttle Challenger – Athens International Film + Video Festival; Chicago Underground Film Festival; Alucine Latin Film + Media Arts Festival; Festival des Cinémas Différents et Expérimentaux de Paris; Bienal de la Imagen en Movimiento; This Human World: International Human Rights Film Festival | Before – Rencontres Internationales Traverse; Arizona Underground Film Festival; San Diego Underground Film Festival; Dobra Festival Internacional de Cinema Experimental; Girona Film Festival
2017 | The Space Shuttle Challenger – Images Festival; Vancouver Latin American Film Festival; Antimatter; Curtocircuito; Jihlava International Documentary Film Festival | Before – Ann Arbor Film Festival; Athens International Film and Video Festival; Alucine Latin Media Arts Festival; Revelation Perth International Film Festival; MARFICI: Festival internacional de cine independiente de Mar de Plata | The Poster Guy – Gimme Some Truth Documentary Film Festival
2016 | Chile: A History in Exile; What Comes Between – FICWALLMAPU | Memory – Alucine Latin Media Arts Festival
2015 | Presque Vu – Bienal de Artes Mediales; Currents: Santa Fe International New Media Festival | What Comes Between – Festival Signes de Nuit; Festival du Nouveau Cinema
2014 | Presque Vu – Vancouver Latin American Film Festival | What Comes Between – Bienal de al Imagen en Movimiento; Vancouver Latin American Film Festival
2013 | Presque Vu – Dawson City International Short Film Festival; Alucine Latin Media Arts Festival; Semana de cine experimental de Madrid; Festival internacional de videoarte; Festival Signes de Nuit; Antimatter; Festival du Nouveau Cinéma
2010 | What Comes Between – Visions du Réel; Ann Arbor Film Festival; Images Festival; Chicago Latino Film Festival; Festival internacional de derechos humanos; Documenta Madrid; International Short Film Festival Hamburg; Festival internacional de cine de Huesca; Jihlava International Documentary Film Festival; L’Alternativa: Barcelona Independent Film Festival; Alucine Latin Media Arts Festival; Festival Cine // B; Vizii: International Visual Culture Festival | Imprint – Experiments in Cinema v.5.1 | In Reflection – the 8fest
2009 | What Comes Between – Antimatter; Festival du Cinéma International en Abitibi-Témiscamingue
2008 | Imprint – Short Cuts Cologne; Edges Showcase of Contemporary Media Art; Oblò Film Festival; Festival cinematográfico del Uruguay; Dawson City International Film Festival
2007 | Imprint – Festival des Cinémas Différents et Expérimentaux de Paris; Festival de Cinéma International en Abitibi Teminsamingue; St. John’s International Women’s Film Festival; Festival du Nouveau Cinéma | In Reflection – Festival internacional de video y cine experimental Vallecas: Puertas del cine
2006 | Halley’s Comet – San Francisco Women’s Film Festival; Female Eye Film Festival, Festival cinematográfico del Uruguay; DC Independent Film Festival | Memory – NSI-Canada FilmExchange; Festival cinematográfico del Uruguay
2005 | Memory – Gimli Film Festival
2004 | Amnesia – International Short Film Festival in Drama | Memory – $100 Film Festival
2003 | Amnesia – Festival internacional de cine independiente de Ourense; Gimli Film Festival | Memory – Semana de cine experimental de Madrid; Reel Island Film Festival; send + receive | Chile: A History in Exile – One World Film Festival
2002 | Unwoven – Festival chileno internacional del cortometraje; Gimli Film Festival; Victorial Film Festival; NSI-Canada FilmExchange
1999 | Chile: A History in Exile – Festival del cortometraje de Santiago; San Antonio Cine Fest; Chicago Latino Film Festival; Festival del nuevo cine latinoamericano
BIBLIOGRAPHY
- Unarchive, by Francesco Cazzin, L’Emergere del Possibile: Il Cinema Futuro è l’Immortalità (Italy), March 16, 2021
- “Running Like an Echo: Thoughts on Six Experimental Films from Winnipeg,” by hannah_g, Prairie Artists’ Cinema: A WNDX publication (Winnipeg), 2021
- Before, by Francesco Cazzin, L’Emergere del Possibile: Il Cinema Futuro è l’Immortalità (Italy), August 1, 2018
- The Space Shuttle Challenger, by Francesco Cazzin, L’Emergere del Possibile: Il Cinema Futuro è l’Immortalità (Italy), July 24, 2018
- Diasporic sights: Place, Memory and Decay, by Dan Browne, presented at the Society for Cinema and Media Studies Conference (Toronto), March 17, 2018
- Curtocircuito 2017: Ver Donde Nadie Ve, by Tita Barreiro, A Cuarta Parede (Spain), Oct 18, 2017
- Filmmaker’s work informed by personal history – Cinematic Chile, by Randall King, Winnipeg Free Press (Winnipeg), Sept 29, 2012, p J16
- Palimpsest, Figuration, Non Spectant: A Response to the Video Program again+again, by Tom Kohut, in Palimpsest, PLATFORM Centre for Photographic + Digital Arts (Winnipeg), 2012, pp 213-235
- Lo que separa: Cecilia Araneda, by Cecilia Barriga, for No Ficciones IV: Latinoamérica at MUSAC: Museo de Arte Contemporáneo de Castilla y León (Spain), 2010
- Shorts by female filmmakers include contemplation, animation, by Alison Gillmor, Winnipeg Free Press (Winnipeg), Nov 18, 2006, p C10
- Films document Chile’s Sept 11 Suffering, by Randall King, Winnipeg Free Press (Winnipeg), Sept 5, 2001, p D7
- Close look at another Sept 11, by Alison Gillmor, Winnipeg Free Press (Winnipeg), Sept 6, 2001, p C10
- Screen Play, by Dinah Clarkson, Winnipeg Free Press (Winnipeg), Aug 21, 2001, p D9
- Chilean community not willing to forget brutal Pinochet rule, by Maureen Littlejohn, Winnipeg Free Press (Winnipeg), Dec 4, 1998, p D10
MEDIA ARTS CURATORIAL
- Curator | Franci Duran: In Departure’s Wake, at WNDX, presented in partnership with Harbour Collective and Video Pool, 2021
- Curator | From Nunavik to Kitigan Zibi: Short films by Indigenous filmmakers based in Quebec, at imagineNative online, presented in partnership with Harbour Collective, daphne and GIV, 2021
- Essay | “Penny McCann: Within the Unsaid,” a response to Land Lines (of time and space) in no particular order, presented at Gallery 101, 2021
- Curator | !in.site; Dallas Flett-Wapash and Taylor McArthur, Art Gallery of Southwestern Manitoba, Main Gallery, 2020
- Curator | Senderos: Los Cortometrajes de Caroline Monnet, FICWALLMAPU International Indigenous Film Festival of the Mapuche Nation, 2018
- Commissioning Curator / Curator Mentor | Geographies/Géographies, VUCAVU, 2018
- Curator | A Geography of Words: Short Poetry Films, Envoi Poetry Festival, 2015
- Curator | In Search of Impermanence: The Documentary Shorts of Sam Green, Gimme Some Truth Documentary Festival, 2015
- Curator | Memetic Drive: The Video Work of Scott Benesiinaabandan, WNDX, 2014
- Curator | 40 Years On: The Narration of Chilean Resistance and Exile in Cinema, Winnipeg Cinematheque, 2013
- Curator | Biography: Films by Prairie Women Filmmakers, WNDX, 2012
- Co-Curator | The New Wave, DVD publication produced by the Winnipeg Film Group, 2012
- Essay | “The WFG’s First Decade in a New Century,” accompanying The New Wave program, 2012
- Essay | “Guy Maddin and the Language of Early Cinema” accompanying Guy Maddin’s Hauntings, presented at PLATFORM, 2011
- Co-Curator |Wafaa Bilal and Andrew Milne: Cyborg Cinema, WNDX, 2011
- Essay | “The Machine as an Act of Peace,” accompanying the Cyborg Cinema program, 2011
- Curator | A Process of Seeing: A Barbara Sternberg Retrospective, WNDX, 2010
- Editor | PLACE: 13 Essays, 13 Filmmakers, 1 City . Edited by Cecilia Araneda. Winnipeg: Winnipeg Film Group Inc., 2009, ISBN 9781926665016, 136 pgs
- Curator | Poetic Passages: A Philip Hoffman Retrospective, WNDX, 2009
- Curator | A Fragile Transition: Past and Present in Chilean-Canadian Cinema, WNDX, 2009
- Essay | “A Fragile Transition: Past and Present in Chilean-Canadian Cinema,” accompanying the curated program of the same name, 2009
- Co-Curator | Great Experiments! Manitoba Shorts Just for Kids, WNDX, 2009
- Co-Curator | Time, Space and Light: The Photographic Memories of Jason Britski and Ian Toews, WNDX, 2007
- Curator | The Other September 11th, Winnipeg Cinematheque, 2003
PUBLISHED WORKS
- The Ocean: A Novel. FriesenPress, 2012 (248 pages)
- Place: 13 essays, 13 filmmakers, 1 city. Winnipeg: Winnipeg Film Group, 2009 (136 pages) – Editor
- Scar Tissue (short story), Treeline literary e-zine, winter 1998
- The Day: Vanishing (short story), Zygote literary magazine, fall 1996
- In Reflection (poem), Zygote literary magazine, fall 1995
INTERNATIONAL JURIES
- Jury Member, imagineNATIVE, Water Jury for Digital and Interactive (Toronto, Canada), 2021
- Jury Member, This Human World: International Human Rights Film Festival (Vienna, Austria), 2019
- Jury Member, FICE: Festival Internacional Corporalidad Expandida (Buenos Aires, Argentina), 2018
- Jury Member, FICWALLMAPU International Indigenous Film Festival of the Mapuche Nation (Temuco, Chile), 2017
- Jury Member, Festival International Signes de Nuit (Paris, France), 2015
RELATED ACTIVITY
- Media Arts Sector Consultant, Various Contracts (National) – 2017/current
- Digital Initiatives Manager, Art Gallery of Southwestern Manitoba (Brandon) – 2018/2020 (2 year contract)
- Co-Founder and Member, Mujer Artista (Winnipeg) – 2014/current
- Vice President, Independent Media Arts Alliance (Montreal) – 2015/2017
- Vice President / President / Governance Committee Chair, Artspace (Winnipeg) – 2006/2014
- Executive Director, Winnipeg Film Group / Winnipeg Cinematheque (Winnipeg) – 2006/2017
- Co-Founder and President, WNDX Festival of Moving Image (Winnipeg) – 2005/2014