Chilean-Canadian filmmaker and curator came to Canada as a child as a refugee together with her family, after they escaped Chile’s right wing military dictatorship. She grew up in northern Manitoba, in Leaf Rapids and The Pas, and currently lives in Winnipeg. She holds a BFA (hons) from York University and an MFA from UBC, and is additionally a three-time alumna of the fabled Film Farm.
Araneda has completed 15 short films to-date, which have been presented at film festivals, artist run centres and art museums around the world, and that have been recognized with various awards and distinctions nationally and internationally. Among the festivals that have presented her work include Visions du Reél, Ann Arbor, Jihlava IDFF, Images and Festival du Nouveau Cinéma. Solo career surveys of her work have been presented in Ottawa (2010), Toronto (2017), Winnipeg (2018), and Buenos Aires (2018). She has been awarded art residencies by LIFT: The Liaison of Independent Filmmakers of Toronto as the inaugural recipient of the Roberto Ariganello Prize (2017) and by Q21 in Vienna’s MuseumsQuartier (2019), and has been the recipient of several national and international prizes for her art practice. She is currently in development with two feature length film projects.
Araneda is also an internationally recognized media art curator. In 2019, she became the first-ever curator from the prairies to be awarded the Joan Lowndes Prize from the Canada Council for the Arts, for independent curatorial practice in visual and media arts. In 2017, Araneda was additionally the recipient of an international curatorial residency at the FICWALLMAPU International Indigenous Film Festival of the Mapuche Nation, funded in full by the Canada Council. In 2018, she returned to the festival a year later as a curator to present Caroline Monnet’s first artistic career survey, presented in October 2018 at the festival in Temuco and a week later in Santiago (Chile). Araneda has additionally curated multiple programs over nearly a decade for the WNDX Festival of Moving Image (an organization she co-founded with filmmaker Solomon Nagler).
More recently in June 2020, she served as commissioning curator of the !in.site; exhibition at the Art Gallery of Southwestern Manitoba, featuring new digital artworks by emerging artists Dallas Flett-Wapash and Taylor McArthur. She is also leading the Winnipeg-based Mujer Artista project, connecting Latin women artists from the prairies with collective professional development, which recently held a project show at aceartinc. in January 2020.
From 2006 to 2017, Araneda served as Executive Director of the Winnipeg Film Group / Winnipeg Cinematheque, a storied organization within the Winnipeg arts milieu with a budget of $1M and a permanent staff base of 14, transforming it into a new era of financial stability, increased facility and technology capacity, and significantly increased diversity. From 2018 to 2020, Araneda took on a two year consulting scope with the Brandon-based Art Gallery of Southwestern Manitoba, spearheading its Manitoba Digital Initiatives project to support media art development capacity in Manitoba outside of Winnipeg. From 2020 to 2023, Araneda will work with the Winnipeg-based Harbour Collective to develop a business plan for a new, decentralized national model media art production centre with programming and service delivery via digital mechanisms and regional partnerships.
Araneda is trilingual in (in order of dominance): English, Spanish and French. She has also more recently begun studying Anishinaabemowin (Southern Manitoba Ojibwe dialect). Similar to most Latin Americans, Araneda is of mixed European and Indigenous (Mapuche) ancestry.